The Force That Through the Green Fuse Drives the Flower

The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.

The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And I am dumb to mouth unto my veins
How at the mountain spring the same mouth sucks.

The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.
And I am dumb to tell the hanging man
How of my clay is made the hangman's lime.

The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.
And I am dumb to tell a weather's wind
How time has ticked a heaven round the stars.

And I am dumb to tell the lover's tomb
How at my sheet goes the same crooked worm.

-Dylan Thomas

Gygi on Film

Snowy drive, hot drinks, a winter walk to the meadow with Gygi. A lil talking, a lil crying, a little screaming in the trees.

These last few years Gygi and I have both lost our parents, connected already, we’ve seen each other deeper as we’ve stumbled at the threshhold of death and experienced the strange rebirth that has come in its wake. Her deep presence. Her deep love of life. The way she inspires me to be. I love you Gygi.

Yoga instructor Gygi Koster stand in snowy meadow surrounded by trees at fog at  Sundance nordic center.
Woman walks in snow in full parka with fog and trees

Film notes:

Very foggy, snowy day- first snow. Shot rated at 200 pushed a stop on the Rolleiflex 6001.

Film notes:

Camera: Rolleiflex 6001 w 80 mm lens

Film: Portra 800 rated at 200 pushed 1 stop in development. So that means the ISO is set to 200 and then in development you do this THIS which adds a dollar to the cost. WORTH IT.

Lab: Standard scans at The Find Lab Scan with borders on Frontier

From Clay to Form: Behind the Scenes of Joel Church's 'Uenus'

From Clay to Form: Behind the Scenes of Joel Church's 'Uenus'

A hours long experience modeling begins with excited nerves and a lump of shapeless clay that becomes a figure in likeness that tells nothing of the nerves, sore boredom, and fascination with process while the experience itself foreshadows what will last (legacy and metal) and who won’t (flesh, thoughts, bone).

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